movie

It’s highly likely that you’ve heard of Jay Chou before—he’s the Taiwanese singer-songwriter behind hits such as “Cute Girl (Ke Ai Nu Ren),” “Simple Love (Jian Dan Ai),” and “Silence (An Jing).” If you haven’t heard the original songs, you may have seen YouTube covers by Mandarin and non-Mandarin speakers alike (our favorite: sisters Riney and Bam, who used Chou’s music to learn Chinese), or heard his catchy melodies while singing karaoke.

If you’re a fan (or if you grew up in Asia), you may have even caught him on the big screen. He’s acted in movies such as “Initial D” and “Curse of the Green Flower,” and even directed a movie called “Secret” in 2007, with a sequel planned for next year.

But if you haven’t heard of Jay Chou before, get ready to get introduced to him in January, with his first foray into Hollywood as Kato in “The Green Hornet.”

Judges have selected five finalists for the API TV Pilot Shootout.

Writers submitted their TV Pilot pitch idea for an opportunity to pitch their project to a FOX TV executive.

The top five finalists are: 
Amy Anderson “Amy Anderson Project”, Jared Asato “Supreme”, Benjamin Hsu “East Wilshire”, William Lu “Showrunners”, Roy Vongtama “The Zone”

The judges were: Ed Moy, a screenwriter and journalist for LA Asian American Movie on Examiner.com; Kelly Yee, VP of Development @ RipMedia Group, a social media marketing firm specializing in entertainment; and Susan Stark, pop culture follower.

The finalists will work with selected directors to make teasers for their projects.

The most anticipated film of the summer had its big Hollywood premiere at Mann's Chinese Theatre on Tuesday, and fans carrying both English and Japanese-language signs stood patiently behind barricades, waiting (some since 6am) to catch a glimpse of their favorite actors. Photographers crowded each other for shots of Marion Cotillard and Ellen Page. Security guards positioned themselves on either side of Leonardo DiCaprio as he walked along the street to greet his fans and sign autographs. One of the earlier stars to arrive, Ken Watanabe gamely waved at the fans, inciting cheers as he walked down with his wife Kaho Minami.

Film Review by Gary Huang - On the surface, Lt. Watada, is a straightforward film about one man’s efforts in opposing deployment to Iraq on the grounds that the war is unconstitutional. The director, Freida Lee Mock, takes us on a journey from when Lt. Watada was told by his battalion commander to gain as much knowledge about the military as he can, and Watada’s subsequent discovery from endless reading that the Iraq war is “illegal” and “based on lies.” Through the documentary, we see the David vs. Goliath battle of Lt. Watada against the US military system, and the difficulties both he and his family endure. What’s remarkable about the documentary is the way Lee Mock shows us just how difficult Watada’s fight was by taking us behind the scenes to personal interviews of the Lt., his family, and his many supporters.

The Media Action Network for Asian Amerians (MANAA) will stage a protest of the new film "The Last Airbender" on Thursday July 1st at the Arclight Cinerama Dome on Sunset Blvd in Hollywood.
Guy Aoki, Founding President of MANAA, which is the only organization solely dedicated to monitoring the media and advocating balanced, sensitive, and positive portrayals and coverage of Asian Americans, has stated that "the film sends the message that Asians can’t be the heroes in their own story."

Bruce Beresford's Mao's Last Dancer to Screen
at 33rd Asian American International Film Festival

NEW YORK (June 28, 2010) -- Oscar-nominated Australian director Bruce Beresford (Driving Miss Daisy, 1989) will showcase his most recent feature Mao's Last Dancer at the 33rd Asian American International Film Festival (AAIFF10) in New York City. The AAIFF10 is the longest running festival dedicated to showcasing the latest works created by filmmakers of Asian descent in addition to films that explore new constructs of Asian and Asian-American cinema.

Don’t jump to conclusions on Asian-perpetrated gun violence By: Amelio The · March 23, 2010 · Filed Under Criminal Law, Diversity in Law, International Law ·

Commenter Lynne rightly points out that even we perhaps jumped to conclusions in the case of Philadelphia law student, Gerald Ung.

In January, we linked to Above the Law coverage of Ung, who had been arrested after shooting a man six times in the wee hours of the night. The story had described the incident as “(If true), not the first time an Asian-American law student in Philadelphia has gone on a shooting spree.

Harvard University is known for its top notch academics, but not exactly as the hotbed of hoops excellence. It has been more than 60 years since the nation's top-ranked academic institution has been invited to compete in the NCAA March Madness tournament. But that could change this year, thanks, in part, to star basketball player Jeremy Lin, who some say has a shot to going to the NBA. Host Michel Martin talks with Lin about his skills on the court and some of the racism he's faced as an Asian-American player.

Vote for Jeremy Lin for the Bob Cousy Award by clicking here. 
Let's give him the recognition he deserves.

You can also catch the the Jeremy Lin interview NPR.org

Our summarized transcript:

The movie is based on the true story chronicled in the book The Cure: How a Father Raised $100 Million and Bucked the Medical Establishment in a Quest to Save His Children by Geeta Anands. There is a real John Crowley who really did start a biomedical company to develop a cure for Pompe disease.

But the real guy who developed the cure was not a Dr. Robert Stonehill, nor looks anything like Indiana Jones. The real guy is a fellow named Dr. Yuan-Tsong Chen, who developed the treatment with colleagues at the Duke University Medical Center.

I learned this from, of all places, Roger Ebert's movie review:

Korean actress Jun Ji-hyun is set to appear alongside Chinese movie star Zhang Ziyi in a new film by Wayne Wang, according to her agency Sidus HQ on Wednesday.

The film, titled "Snow Flower and the Secret Fan", will be based on the 2005 novel of the same title by Chinese-American writer Lisa See.

Set in 19th century China, the film chronicles the lives of two women -- Lily and Snow Flower -- and their intimate lifelong friendship. Chinese actress Zhang Ziyi is set to play the main character Snow Flower while Jun's role in the film has not been decided as of yet.

Wanye Wang, a Chinese-American filmmaker, has directed several notable movies such as "The Joy Luck Club" (1993), "Maid in Manhattan" (2002) and "Smoke (1995)", for which he won the Silver Bear award at Berlin International Film Festival.

 Dec. 31 (by James S. Russell) -- I didn’t want to let the year close without reflecting on the new Museum of Chinese in America designed by Maya Lin.

The location, on Manhattan’s lively Centre Street, poignantly underlines the mutability of ethnic identity. It is steps from the bargain-hunting throngs on Canal Street, around the corner from what’s left of Little Italy, and smack in the path of SoHo’s encroaching slickness. It’s the perfect spot to consider what it is to be a hyphenated American.

The museum’s tinted-glass storefront, half-framed by a long horizontal L of wood, is a rather tentative invitation to a building with richly entwined stories to tell and tough questions to ask.

It’s too bad that Lin, famous for the Vietnam War Memorial in Washington, D.C., avoided the tough task of making a specific statement rather than a generalized one.

Japanese film Looking For Anne, directed by Takako Miyahira, took the top honours of Best Film and Best Director, the AFFF said in its press release.

The movie tells the story of a 17-year-old Japanese girl with a secret mission to find her recently deceased grandmother's first love.

First-time producer Sona Jain bagged four awards - including Best Producer - for her film, For Real, a story about a family seen through the eyes of a child.

Last Friday's event was the fifth instalment of the AFFF.

China is moving to take back one of its own — even if it is legend. Mulan is the Middle Kingdom's gender-bending heroine, its Joan of Arc. The character from folktale is a daughter who disguises herself as a male soldier to take her father's place in the conscription army. The problem for the Chinese is that, since 1998, the definitive version of the story has been Disney's.

Indeed, because of the animated Disney film, the character Mulan has become one of the most recognizable symbols of Chinese culture worldwide. Baby girls adopted from China have been named Mulan by their American parents. Disney has staged musical versions of the movie Mulan from Mexico to the Philippines. And posing for a photo with Mulan is a must for hordes of tourists at Hong Kong Disneyland. (See China's long road to prosperity.)

It’s Raining, y’all! With the advent of his first starring role in a major Hollywood feature, the Korean pop god known simply as Rain sat with us exclusively to talk up his martial arts manifesto, Ninja Assassin. We chatted about the film’s surprising violence, his future as a singer, his fans and his mom. Never let it be said that LMD was ever smart enough to come in out of the Rain.

Dig it.

The Lady Miz Diva: Ninja Assassin is a really violent, bloody film. Were you concerned that so much of your fan base, which consists of younger kids and people who might not usually go to this type of movie, wouldn’t be able to see your big Hollywood film?

Rain: Yeah, I know, but it’s gonna be huge. I believe they will like my movie. I am a little bit worried, but it’s something different from what I’ve done, so it’s interesting that way. And I believe more male fans will be interested in this movie.

Actor Takeshi Kaneshiro, one of Asian cinema's biggest superstars, could soon be following in the footsteps of fellow Asian stars Rain , Jay Chou and Lee Byung-hun and heading to Hollywood.

The 33-year-old was recently spotted by fans in Los Angeles, fuelling speculation that the Taiwan-based actor is in talks to star in a Hollywood film.

While Kaneshiro's agency has confirmed that the actor is indeed in Los Angeles, it said he is actually there on vacation to visit friends.

The actor has always been cautious about taking on foreign films. In 1998, he starred in "Too Tired To Die" with Oscar-winning actress Mira Sorvino but has kept his distance since, and even turned down a role in "The Last Samurai" starring Tom Cruise.

In recent years, the actor has once again caught Hollywood's attention after starring in 2004's "House of Flying Daggers" with Chinese actress Zhang Ziyi and Hong Kong director John Woo's war epic "Red Cliff".

We all know her story. She was a beautiful, bright 24-year-old graduate student in Yale's pharmacology department who went missing just four days shy of her wedding. Her body was found on what was to be her wedding day hidden behind a wall in her laboratory, a Yale building at 10 Amistad Road in New Haven. A few days later, a 24-year-old animal technician who also worked at her laboratory was arrested for her murder.

I first read about her in The New York Times in my apartment in Manhattan. Across the globe, my brother read about her on Bloomberg News in his office in Hong Kong. We felt the pain and horror of her death and of the tragedy facing her family.

Annie Le was also Asian-American. As her story appeared all over the Internet and on 24-hour news updates, blogs, commentaries, Facebook and Twitter posts, the fact that she was an Asian-American female was to become an important part of her narrative, speaking to uniquely American anxieties about sex, violence, gender and race.

BOOK BIOGRAPHY (not Movie)

Li was born into utter poverty in Mao’s communist China, at the age of 11 he was selected to train in Madame Mao's Beijing Dance Academy. And so began Li's journey. The 7 years of harsh training regime at the Beijing Dance Academy taught him discipline, resilience, determination and perseverance. Li’s astounding drive and relentless hard work made him one of the best dancers China has produced.

When he was 18, Li was awarded one of the first cultural scholarships to go to America, and subsequently been offered a soloist contract with the Houston Ballet. Two years later, Li defected to the West in a dramatic media storm, which involved the then Vice President, Mr George Bush Snr. He then went on to become one of the best dancers in the world, won two silver and a bronze medal at three International Ballet Competitions. In 1995, Li and his family moved to Australia where Li danced his last three and half years as a principal dancer with the Australian Ballet.

By Jennifer Torres October 24, 2009
Record Staff Writer

STOCKTON - Among the panelists scheduled to speak today at a forum on Asian gangs was a young man set to discuss how gang violence had affected his family.

Then, a little more than a week ago, he was jumped outside the Park Village Apartment buildings on Alvarado Avenue.

He reconsidered talking, said Vanna Prasit, who helps coordinate social services at the community complex, home to mainly Cambodian immigrants and their families.

"They are not comfortable coming out," Prasit said. "They don't want problems. ... It takes a lot of encouragement for families for them to make any kind of report."

The Southeast Asian immigrants who came to San Joaquin County as refugees fled war and persecution, a legacy that has contributed to gang activity among younger generations, said organizers of "The Real Gran Torino Story: Stockton's Secret War on the Streets," a forum to be held today at University of the Pacific.

A cell phone video shows San Jose police officers repeatedly using batons and a Taser gun on an unarmed San Jose State student, including at least one baton strike that appears to come after the man is handcuffed, as they took him into custody inside his home last month.

The video, made by one of the student's roommates without the knowledge of police, shows that force was used even though the suspect was on the ground, and apparently offering no physical threat to the officers. Several experts in police force said the video appears to document excessive — and possibly illegal — force by the officers. A police spokesman Friday said the department had opened a criminal investigation of the officers'

conduct, after police officials viewed a copy of the recording.

The Taipei Economic and Cultural Office (TECO) in New York and Asian CineVision will co-present the stunning new Taiwanese film "No Puedo Vivir Sin Ti" (Cannot Live Without You) on October 26th from 5:30 to 8:00 at TECO, located at 1 E 42nd St. in Midtown. The script writer and leading actor of the film, Wen-Pin Chen, will be on hand for Q&A following the screening, moderated by Mr. John Woo, Acting Director of Asian CineVision. A Chinese-style buffet dinner will be provided after the event.

"No Puedo Vivir Sin Ti" has received international accolades, winning Best Film among other awards at the 2009 Taipei Film Festival, the Grand Prize of Japan's Skip City International D-Cinema Festival, and Best Feature Film of South Africa's Durban International Film Festival. It has been selected to represent Taiwan in the competition for Best Foreign Language Film at the 2009 Oscars. The film will make its New York-area premiere at the 2009 FilmColumbia Festival on October 24th.

Kelly Hu, who previously appeared in The Scorpion King and X-Men 2, has signed on to star in indie romantic comedy Almost Perfect. Hu will play a 30-something career woman who has to juggle her high-maintenance family just when she finds the perfect boyfriend. Writer/director Bertha Bay-Sa Pan said in a statement: “I am so excited to work with Kelly, who not only kicks butt as an action hero, but is also an incredibly thoughtful and nuanced actor, with a killer sense of humor.” The film will start shooting this month in New York City.

Edison Chen will appear in his first movie since his career was derailed by a sex photo scandal more than a year ago.

The 28-year-old Chinese-Canadian actor-singer will feature in the English-language comedy, “Almost Perfect,” which stars Kelly Hu, according to the Web site of New York-based production company Slew Pictures.

BOSTON - It's one of the great closing lines in movie history, "Come on, Jake. It's . . . Chinatown." Those words, spoken to Jack Nicholson in, of course, "Chinatown," suggest all too accurately the sheer otherness of the Chinese experience as seen by Hollywood.

That otherness has run the gamut. Patronizing, reductive depictions of China ("The Good Earth," say) have gone hand in hand with Chinese-American stereotypes (cooks and laundry operators mostly, with the occasional opium smoker, for variety's sake, and, more recently, kung fu masters). The most famous Chinese and Chinese-American characters have been shameless caricatures - Fu Manchu, for example, and Charlie Chan.

That Minority Thing - Some 93 percent of studio directors were male this year — Nora Ephron with her “Julie & Julia” and a handful of other women notwithstanding. Damien Dante Wayans, with “Dance Flick,” joined Olatunde Osunsanmi of “The Fourth Kind” as black directors with studio releases, while a few directors were Asian or part Asian.

Uniformity would seem to shut out potential viewers and revenue. But there is really no way to be sure whether sales would go up or down if the studio directing pool were more diverse.

In some ways, studio directors are looking even more uniform than in the past. In 1999, a report on diversity from the Directors Guild of America, whose statistics include nonstudio films, found African-American directors to have worked 5.4 percent of total days covered by the guild’s film contract, while women logged 7.4 percent , Asian-Americans 1.5 percent and Latinos 1.1 percent.

Tomita was born in Okinawa, the daughter of Shiro and Asako Tomita. She is of one quarter-Filipino descent (her mother is half Filipina, half Japanese). Before becoming an actress, she won the title of Queen at the Nisei Week Pageant in Los Angeles in 1984, and Miss Nikkei International in 1985.

Check out her filmogrpah here at IMDB Website

To read more visit Visualization, Tamlyn Tomita will be appearing live on Visualization Tuesday Octber 6th don't miss it, you can also submit your questions to her as well.

October 6 at 6 pm Pacific Time (7 pm MT, 8 pm CT and 9 pm ET).
Click here to Register

Tamlyn Tomita, whose inspirational career as an actor spans movies, television and the stage, and whose leadership and activism spans the Japanese American and Asian American Pacific Islander communities.

New trailer movie for Astro Boy has been released. Astro Boy movie is based on a popular Japanese comic book is set to be released this Fall. The US movie version has Nicolas Cage, Charlize Theron, Kirsten Bell and Samuel Jackson as voice actors. While the Japanese version has Aya Ueto and Koji Yasusho as voice actors. .

Japanese idol and actress, Aya Ueto, will be the voice behind upcoming movie, Astro Boy (known as Atom). Astro Boy began in 1952 as Comic but became a hit through television series in the 1960s. The movie is scheduled for October 2009 release in Japan and followed in the US.

Actress Aya Ueto appeared in a public recording event for the Japanese-dubbed version of the computer-generated animation "Astro Boy" on Tuesday, Aug. 18.

Chinese film “Weaving Girl” grabbed the second highest prize at the closing ceremony of the 33rd Montreal World Film Festival Monday.

“Weaving Girl,” directed by Wang Quan’an and leading actress Yu Nan, tells about the struggled life of a textile factory woman worker. It won both the special Grand Prix of the Jury, the runner-up prize, as well as the International film critics prize.

2point6billion -  If the Indian firm Reliance ADA Group’s US$325 million investment in Steven Spielberg’s DreamWorks movie studio is any indication, Hollywood may increasingly turn to India and China for funding now that U.S. firms are taking longer to recover from the financial crisis.

Hollywood will also need international funding to expand its market overseas where the emerging market offers a huge opportunity for growth. “If you have capital to invest, you can probably cut a better deal now than any time in the last ten years,” Larry Gerbrandt, principal at consultancy Media Valuation Partners told Reuters.

He added: “A lot of Indian and Chinese companies have excess capital these days and Hollywood, aside from the fact there’s a certain glamour factor, those (Indian and Chinese) markets also need content, so there’s interesting deals to be made.”