culture

As white Americans move into the minority, some are claiming they're the ones now subject to racial oppression. Do they have a case?

For a small, nerdy cluster of folk -- social science and cultural studies wonks, market researchers, armchair political pundits -- this month is the Super Bowl, Oscars and Olympics rolled into one. That's because the next few weeks will see the gradual, yet grand unveiling of data from the 2010 U.S. Census, an event literally 10 years in the making.

Far East Movement reaching the No. 1 spot on Billboard's Hot 100 this fall with "Like a G6," a musical high-five to better living through beautiful women and bottle service, probably didn't strike most pop-music listeners as pioneering. It's the latest in a long line of hits celebrating playboy partying and living stretch-limo large.

But for Eric Nakamura, publisher/editor of Giant Robot, a magazine devoted to Asian pop culture, who also launched Giant Robot retail outlets in Los Angeles and San Francisco, it's so much more. Far East Movement, who came together in Los Angeles' Koreatown neighborhood and are of Chinese, Japanese-Korean and Filipino ancestry, is the first Asian-American hip-hop act to break through to a wide audience.

Nakamura compares it to Jeremy Lin signing with the Golden State Warriors in July to become the first Asian-American in the NBA since 1947, back when it was known as the Basketball Association of America.

"I didn't know when it was going to happen but I knew it was going to happen and they made it happen this year," he enthuses. "These are amazing times. There've been amazing changes."

Harvard Business - Business leadership is at the core of Asian economic development, says HBS professor D. Quinn Mills. As he explained recently in Kuala Lumpur, the American and Asian leadership styles, while very different, also share important similarities.

Editor's Note: Political connections and family control are more common in Asian businesses than in the United States. In addition, says HBS professor D. Quinn Mills, American CEOs tend to use one of five leadership styles: directive, participative, empowering, charismatic, or celebrity. Which styles have Asian business leaders adopted already, and which styles are likely to be most successful in the future?

In a talk in Kuala Lumpur on June 15 at the invitation of The Star/BizWeek publication and the Harvard Club of Malaysia, Mills explained the differences and similarities between American and Asian leadership. Below is the transcript of his talk, "Leadership Styles in the United States: How Different are They from Asia?"

Join VisualizAsian TONIGHT: Meet Jeff Yang and Bernard Chang! Editor of “Secret Identities: The Asian American Superhero Anthology” & Bernard Chang, “Superman” Artitst.

Two experts in Asian American pop culture and comics. You'll hear the history of (or lack of) Asian superheroes in comic books, and what it's like to be drawing the Superman comic book! You can learn more about Jeff and Bernard

There has been some recent discussion surrounding a racist piece of media that had recently surfaced on the Maclean's website about the increasing number of Asian students in their academic institutions (racist...ahem).

Not only has this article unnecessarily making an issue of race but also implying that Universities and colleges are "too Asian" for their liking, a very racist emitting but also at the same time hideous at a glance.

Although the original article has been edited the original version can be found here "Too Asian" (Thanks to Angry Asian Man's post).

So you might ask should Chinese Canadians be concerned? of course not, because we are not the ones complaining. Obviously all those who are enrolled in higher education is obviously there to study and nothing else.

BELLINGHAM, Wash. (AP) — On Nov. 7, 125 years ago, the residents of what would one day be Bellingham gathered in celebration.
They marched in a torchlight parade, listened to speakers that included the mayor, heard songs by the glee club, and watched a fireworks display.
The reason for their merriment was noted in the Nov. 6, 1885, edition of the Whatcom Reveille, which had invited residents to the Nov. 7 gathering.
“The Chinese are gone. We rejoice. Every person who rejoices in the exit of the Mongolian serfs and coolies is cordially invited,” read that edition of the weekly newspaper.
The Reveille’s publishers, with the help of civic leaders, had successfully launched in its pages a campaign to push all Chinese out of Whatcom County through a combination of threats, boycotts, vitriol, and insistence that the immigrants were taking jobs away from white residents in the midst of an economic downturn.

The Chinese were given until Nov. 1, 1885, to leave.

LOS ANGELES, CA - Visual Communications is proud to present a special screening of the 1916 Chinese American film, THE CURSE OF QUON GWON, on Saturday, Nov. 6, 2010, 3:00 pm, at the National Center for the Preservation of Democracy, in Little Tokyo, to celebrate the release of a limited-edition DVD anthology by renown filmmaker Arthur Dong.

The earliest known Chinese American feature film, THE CURSE OF QUON GWON was directed in 1916 by Marion Wong of the Mandarin Film Company in Oakland, Calif. One of the few films directed by a woman at that time, the 36-minute silent film is about the assimilation of Chinese in the United States. It stars the director, her sister-in-law Violet Wong, mother-in-law Chin Shee and Harvey Soo Hoo.

C.I.V Blog - The following is a letter of complaint we received over the weekend. It reminds us of how racism against the Chinese in North America (especially when at a time so many US politicians are playing the anti-China card in the mid-term election).

I am beginning to think that racism and racial hatred cannot be abolished. I used to think we could. I treat others well, I respect others, and living here in Vancouver, I was confident that here we tend to look past the colour of one’s skin.

Now, I am fighting against racism as I experienced it in Vegas. But fighting racism once you experience it so blatantly is more difficult since your sense of objectivism and your ability to identify what is right and wrong and your ability to move past bad experiences become very very limited.

As technology advances and the world becomes smaller, we are becoming as a nation, increasingly sophisticated and diverse. In this
new global landscape, few understand this international perspective as much as Schema Magazine. As one of Canada’s premiere sources for “ethnic cool,” Schema has been making waves with its coverage of pop culture news, feature interviews, and perspectives that speak to the minds of the new multicultural generation of Canadians. With its popular in-depth feature series, “But Where Are You Really From?” Schema asked readers to describe their experiences defining their identities. Now, Schema seeks to probe further into the quest for cultural definition, by hosting Balikbayan, Schema’s first-ever travel writing contest!

In partnership with Dot Asia, Schema invites its Canadian readers to answer this thought-provoking question:

“As a second or third generation Canadian, how has international travel to your
country of cultural origin changed your worldview?”

THE CURSE OF QUON GWON, A 1916 CHINESE AMERICAN SILENT FILM, WILL HEADLINE NOVEMBER 6 DVD RELEASE SCREENING AND RECEPTION

LOS ANGELES, CA - Visual Communications is proud to present a special screening of the 1916 Chinese American film, THE CURSE OF QUON GWON, on Saturday, Nov. 6, 2010, 3:00 pm, at the National Center for the Preservation of Democracy, in Little Tokyo, to celebrate the release of a limited-edition DVD anthology by renown filmmaker Arthur Dong.

The earliest known Chinese American feature film, THE CURSE OF QUON GWON was directed in 1916 by Marion Wong of the Mandarin Film Company in Oakland, Calif. One of the few films directed by a woman at that time, the 36-minute silent film is about the assimilation of Chinese in the United States. It stars the director, her sister-in-law Violet Wong, mother-in-law Chin Shee and Harvey Soo Hoo.

Judges have selected five finalists for the API TV Pilot Shootout.

Writers submitted their TV Pilot pitch idea for an opportunity to pitch their project to a FOX TV executive.

The top five finalists are: 
Amy Anderson “Amy Anderson Project”, Jared Asato “Supreme”, Benjamin Hsu “East Wilshire”, William Lu “Showrunners”, Roy Vongtama “The Zone”

The judges were: Ed Moy, a screenwriter and journalist for LA Asian American Movie on Examiner.com; Kelly Yee, VP of Development @ RipMedia Group, a social media marketing firm specializing in entertainment; and Susan Stark, pop culture follower.

The finalists will work with selected directors to make teasers for their projects.

New York (June 14, 2010) --- Asian CineVision (ACV) and the Taipei Economic and Cultural Office in New York (TECO) have announced a special presentation on New Taiwanese Cinema. The program will be presented during the 33rd Asian American International Film Festival from July 15 through July 24, 2010 throughout various venues in New York City. This unique showcase consists of four feature length films and two short film programs that bring together the works of Taiwan's new generation of filmmakers. TECO continues its commitment to promoting cross-cultural exchanges between Taiwan and the United States by joining ACV in presenting a program that highlights Taiwan's burgeoning independent film community.

Posting from the "Colorblind" Blog:

Jeff was publisher of A. Magazine, one of the most popular and influential Asian American magazines during its run from 1989-2002. Since then, Jeff has published several books including co-editing Secret Identities: The Asian American Superhero Anthology and is widely recognized and respected as an expert on Asian and Asian American pop culture. I have admired Jeff’s work for a long time but only finally got the chance to meet him at Syracuse.

A FURORE has erupted over a new mini-series about the deadliest sniper at Gallipoli, Chinese-Australian Billy Sing, who is played by a white.

This portrayal in the The Legend of Billy Sing has been attacked by Australians of Chinese ancestry as a betrayal of their heritage, robbing them of a rare historic hero.

Director Geoff Davis has cast his son Josh in the lead role, while Sing's Chinese father is played by the veteran actor Tony Bonner, who came to prominence as a blond-haired helicopter pilot in the Skippy TV series.

Sing, born in 1886 at Clermont, Queensland, to a Shanghainese father and an English mother, moved as a young man to the canefields of Proserpine, where he became a keen cricketer, kangaroo hunter and a crack member of the local rifle club.

Schema Magazine presents a monthly series of web writing workshops and speakers, featuring some of the most pioneering, innovative and ethnic cool voices on the Internet. In the world of social networking and Web 2.0, having an online presence on the web is becoming more and more important. Social media gives us the tools to be a part of this growing conversation, but how do we define our voice on the web as a writer, a producer and as a blogger?

iWriteAboutMe.com showcases dynamic web personalities, social media gurus, bloggers and writers who will talk about how they transformed their personal stories and diverse identities into an online brand.

By Jeff Yang, Special to SF Gate
Thursday, February 25, 2010

The notion that Asians and Jews are two shoots from the same cultural rootstock is an old but evergreen meme.

You see it in fringe theories about the Lost Tribes of Israel -- there's an entire body of cryptoarchaeological canon that uses similarities between customs, language and naming convention to "prove" that the ancient vanished Jewish clans ended up in China, India or Japan. (Japan's 50,000-member Makuya sect, which has as its central dogma that the Japanese are descendants of a lost Jewish tribe, keep kosher, speak Hebrew and use the seven-armed menorah as their symbol.)

By Professor Hyeouk Chris Hahm

Working with diverse immigrant populations who suffered from various mental health disorders in New York City, Professor Hyeouk Chris Hahm had a first-hand look at health disparities among Asian American communities. As a psychiatric social worker for 10 years, she saw a growing prevalence of young Asian American adults dealing with substance use and sexually transmitted disease (STDs). This led her to question the factors associated with risky health behavior patterns, as well as the protective factors of those behaviors including substance use and HIV/STDs risk behaviors among young Asian Americans.

 Dec. 31 (by James S. Russell) -- I didn’t want to let the year close without reflecting on the new Museum of Chinese in America designed by Maya Lin.

The location, on Manhattan’s lively Centre Street, poignantly underlines the mutability of ethnic identity. It is steps from the bargain-hunting throngs on Canal Street, around the corner from what’s left of Little Italy, and smack in the path of SoHo’s encroaching slickness. It’s the perfect spot to consider what it is to be a hyphenated American.

The museum’s tinted-glass storefront, half-framed by a long horizontal L of wood, is a rather tentative invitation to a building with richly entwined stories to tell and tough questions to ask.

It’s too bad that Lin, famous for the Vietnam War Memorial in Washington, D.C., avoided the tough task of making a specific statement rather than a generalized one.

Some thing's are better as never said and when words are spoken people should be accountable for what they say. Given that as responsibility, it could also be seen at another angle that there is also the responsibility for not saying what needs to be said.

Much could be said about the media little racist scheme during the U.S president's visit to China to improve economic ties and collaboration between the U.S and China.

Obama was on business trying to look for ways to fix up his bankrupt economy that was left to him in the worst state.

Firstly the white media tried painting China as anti-black racists and claims China disliked "chocolate coloured skin". Though this was not something that came from the Chinese mouths it was indeed straight out the mouth of white media who thought that they could make racists statements without taking responsibility by using China as a scapegoat.

 Are you currently unemployed? According to the new Canadian citizenship guidebook for prospective immigrants, over 8.6% of unemployed Canadians are not fulfilling the Canadian responsibility of having a job, which now comes with the rights of having a Canadian citizenship.

The new Canadian citizenship guidebook was unveiled last week, redefining what it means to be Canadian. After all, new Canadian immigrants are more likely to be unemployed, which must mean—according to the authors of the guidebook—that their economic difficulties are a result of their failure adopt Canadian values. In addition, the new guidebook tells prospective immigrants, “Canada’s openness and generosity do not extend to barbaric cultural practices that tolerate spousal abuse, “honour killings,” female genital mutilation, or other gender-based violence.”

To the people who thought racism was a thing of the past and no longer exists in the 21st century.... you are dead wrong. Some of us probably live in the nicer places in the country with some good multicultural friends but the people in the next town/city may not be so friendly.

To all my other dearest Asian Brothers, Sisters, Families, Civil Rights Advocacy groups, Asian Activists in western countries. We know racism is very much alive and it comes in all shapes and forms in mainstream society.

While we continue to experience it's reoccurring unpleasantness and Deja Vu's, I am all convinced we are still living as second class citizens and are still sunjected to different forms of  racial oppression.

Ancient Taoist once believed the driving universal life principles are found in Yin and Yang, nature will seek neutrality and find balance between interchangeable opposing forces. Though my analogy might sound a little ancient in the philosophical works but you would eventually understand my point in our society at present.

The six men on stage included a poet, a break dancer and a filmmaker. They pounded rhythms on the dhol drum, modeled fresh fashions, slathered whipped cream on bare skin and discussed their passion for community service.

This is the "Mr. Hyphen" contest, a faux pageant in the San Francisco Bay area aimed at redefining the image of Asian-American men beyond nerdy, sexless stereotypes.

Conspicuously absent from the stage were computer experts, doctors, lawyers or dry cleaners. There were, however, martial arts - with a twist.

Pahole Sookkasikon, an American-born graduate student partial to drawing, cooking, and "flirting for free drinks at the bar," knew that his hobbies would not translate well to the talent portion of the show.

China is moving to take back one of its own — even if it is legend. Mulan is the Middle Kingdom's gender-bending heroine, its Joan of Arc. The character from folktale is a daughter who disguises herself as a male soldier to take her father's place in the conscription army. The problem for the Chinese is that, since 1998, the definitive version of the story has been Disney's.

Indeed, because of the animated Disney film, the character Mulan has become one of the most recognizable symbols of Chinese culture worldwide. Baby girls adopted from China have been named Mulan by their American parents. Disney has staged musical versions of the movie Mulan from Mexico to the Philippines. And posing for a photo with Mulan is a must for hordes of tourists at Hong Kong Disneyland. (See China's long road to prosperity.)

Passing as an Asian - an article written by an asian adoptee raised by two Russian Jewish caucasian parents, sharing her experiences while growing up in self hatred but surprisingly finds an awakening that puts her back on the road, acknowledging her asian side and forever searching for the missing pieces.

Passing as an Asian Written by Maya Fleischmann (11 January 2009)

I spent the first fifteen years of my life trying to ignore the fact that I am Asian.  Ironic, considering I was born and raised on the small island of Hong Kong and its population of 6 million other Asians.

Nothing says controversy like an Internet fight over racism in marketing and design. If you weren't familiar with last week's blow-by-blow, Asian author and professor Soong-Chan Rah called out racism at worst and insensitivity at best in the marketing and design of the book Deadly Viper Character Assassins by Mike Foster and Jud Wilhite. Rah accused Foster and Wilhite of fueling racial stereotypes and co-opting Asian culture in order to market their book. It was an especially interesting challenge because Foster and Wilhite's book is all about integrity and character. The conversation exploded with hundreds of comments and eventually led to a conference call between Rah, Foster, Wilhite and moderators.

Scholarly blogger deals with cultural fallacies, ethnic misconceptions.

When you think of an angry Asian man, the image of a ninja wielding formidable weapons comes to mind. The stereotype isn’t far from the mark when you visit “Angry Asian Man,” a blog run by University of California, Berkeley alumnus Phil Yu.

“The name of my blog is provocative and scary,” said Yu. “It’s different from most people’s idea of what an Asian person is supposed to be. Most Asians in this country are not seen as people who are willing to rock the boat. We’re seen as meek people who just let things slide, but that’s not true at all.”

At a panel in the Texas Union on Thursday, Yu and Nhi Lieu, a UT American studies professor discussed Asian-American media representation and identity in America, as well as the influence of Yu’s blog on the Asian-American community.