identity

The One to Watch Award was presented to director Namgyal Wangchuk Trichen Lhagyari for his short film MY COUNTRY IS TIBET. Eligible films screened in the FOR YOUTH BY YOUTH: AGE AIN’T NOTHING BUT A NUMBER shorts program, which featured films directed by young adults ages 15-21. Lhagyari, a seventeen-year-old Tibetan refugee and descendant of the first Tibetan Dharma King, is fueled by a sense of responsibility to his people to present his message through film.

The Audience Choice Award for Documentary Feature was presented to TALES OF THE WARIA, directed by Kathy Huang. This humorous and touching documentary explores a unique community of men in Indonesia who live openly as women. Known as warias, these individuals must balance their identity with intimacy, and their Islamic faith.

On July 29, 2011, Asia Pacific Arts online magazine is hosting “A Celebration of Asian American Soul” at the Far Bar Lounge in Little Tokyo -- featuring performances by special guest singer Judith Hill (from Michael Jackson’s This is It), and singer/songwriter Dawen. DJ O-Dub will be spinning sets around the musical acts.

The Asia Pacific Arts fundraiser is co-hosted by InVenture, a non-profit organization that supports women entrepreneurs in developing countries to help them lift their communities out of poverty.

This will be a celebration of the spirit of creation and entrepreneurship, from Asia to the United States.  By harnessing the soul of those whose music touches the hearts of their audiences -- Judith Hill with her sultry blues and Dawen with his awakening jams -- both organizations hope to inspire the community to empower themselves and support each other.

The Newsweek headline catches my eye: "Asian Identity Crisis, A young Asian American author defends his assimilation -- and draws fire from activists." Eric Liu's new book is something I will have to read, although I am not sure how much of it I will like.

In "The Accidental Asian: Notes from a Native Speaker," Liu takes readers on a journey through his life in a series of loosely connected essays. They run from remembrances about his youth and his late father, to explaining why he married a white woman, to his unabashed assimilation into the white world.

The Newsweek story already made me apprehensive about the book. Then, in the first few essays Liu talks about his "honorary white status." I cringe. He seems to have a naïve belief that race doesn't matter. But I read on.

Let me begin by firstly admit to my personal skepticism of any mainstream movie that attempts to portray Asian people positively, in particular Hollywood movies.

We are about to see an upcoming release titled 'Snow Flower', an adaptation to the original story. We have been informed that this is not a rehash of the old pain known as 'Joy Luck club', perhaps the Asian Americans may feel relieved.

However this has yet to be confirmed as the question still poses as to whether this movie be end up as another Hollywood-ized packaged disappointment for the Asian audience.

The big question, will this movie differ to it's evil predecessor 'Joy Luck Club' film, as we had already known to draw criticism from many Asian Americans, as a fabrication of Chinese culture to entertain the masses.

All thanks (but no thanks) to Tan and her "Joy Luck club" co-writers, our Asian American youths could only ever grow up misguided by false representations of identity.

Maclean's article sparked overdue rebellion against powerful voices claiming racial discrimination is not a problem

Maclean's magazine has struck a match. Now a firestorm of criticism is headed its way. Canada may never be the same.

On Nov. 25, Victoria city council unanimously adopted a motion, submitted by veteran councillor Charlayne Thornton-Joe, criticizing Maclean's for their article 'Too Asian' in their widely read special university rankings feature edition (Nov. 2010). The motion, unanimously adopted, described the title of the Maclean's article as "offensive and intolerant" and criticized its contents for "propagating a litany of racial stereotypes."

I agree and Thornton-George and the council deserve credit for speaking out against a media giant. Their action demonstrates how far we have come from the bad old days.

From our work at WTC, we have come to see racism and the internalization of racism as the primary assaults on our love for ourselves and each other. I understand love here as our ability to care for ourselves and each other spiritually, emotionally, physically and intellectually and to do it in a way that does not split us off from ourselves - body from mind, spirit from emotion, individual from community and so forth.

Like most progressive anti-racism trainers, we define racism as having to do with power. Separating it from the human flaws we all share such as prejudice and scapegoating, we see racism as a system of oppression based on race that in this country is perpetrated by white people against people of color.

It involves an unequal distribution of systemic power for people with white-skin privilege in four main areas:

1. the power to make and enforce decisions;
2. access to resources, broadly defined;
3. the ability to set and determine standards for what is considered appropriate behavior; and
4. the ability to define reality.

Far East Movement, the Los Angeles electro/rap group, reached a notable milestone recently. Not only did its third album, "Free Wired," debut at #24 on the Billboard charts, one of the highest charting debuts by any all-Asian American group, but its latest single, “Like a G6,” is the #1 single in the country (having already crowned digital charts for weeks).

By coincidence, on Oct. 12, 2010, the day "Free Wired" dropped, TV’s "Glee" featured Asian American actors Jenna Ushkowitz (Tina) and Harry Shum Jr. (Mike) joyfully singing and dancing their way through “Sing!” from "A Chorus Line." Three nights earlier, "Glee" star Jane Lynch hosted "Saturday Night Live" with musical guest Bruno Mars, the Filipino-Puerto Rican crooner whose iTunes-topping “Just the Way You Are” was just pushed aside by "Like a G6.”

This confluence seemed to be a long time coming. Prior to FM, the last group of Asian Pacific Islander descent to run the dance floor might have been the Jets, the Tongan-German, Minneapolis-based family band that had a string of dance/R&B hits, including “Curiosity” and “Crush on You.” That was back in 1985.

Schema Magazine presents a monthly series of web writing workshops and speakers, featuring some of the most pioneering, innovative and ethnic cool voices on the Internet. In the world of social networking and Web 2.0, having an online presence on the web is becoming more and more important. Social media gives us the tools to be a part of this growing conversation, but how do we define our voice on the web as a writer, a producer and as a blogger?

iWriteAboutMe.com showcases dynamic web personalities, social media gurus, bloggers and writers who will talk about how they transformed their personal stories and diverse identities into an online brand.

As explained in section IV of Remember, the Asian-American Man and Woman are a couple under siege from mainstream America.

Those that choose to remain with each other are stamped as 'Asian and foreign', while on an unspoken but quite apparent level - only Asian women are afforded the opportunity to mingle and integrate into white social circles and white families.

The psychological pressure on the Asian woman to conform becomes immensely powerful, given the life-long indoctrination she is given by a mainstream American media that is completely devoid of images of Asian faces and depictions of viable Asian-American couples/families. This will gradually and inevitably destroy the kindred bond the Asian female shares with the Asian male from a young age, and the damage is thorough and complete.

In other words, the internalized racism that Asian-American children learn from the American Media destroys their ethnic self-esteem - and this in turn erodes the ability of the Asian-American boy and girl to love each other as adults.

Since the Asian American film burst onto the scene thirty something years ago, many of those filmmakers, such as, Christine Choy, Wayne Wang, Mira Nair, Ang Lee, Justin Lin and among others are now comfortably part of the American cinematic mainstream.

Each year, hundreds of filmmakers from around the Asian Diaspora submit their short films to Asian American film festivals. They have given us stories of immigration and assimilation, adversity and triumph, motivation and inspiration of all genres: narrative, documentary, experimental, animation, music video.

Common reoccurring themes include identity politics, alienated youth, hypersexualization, math nerds, over-achievers, stereotypes, suburban alienation, and kung-fu waiters. 
Been there? Done that?

Tell us YOUR Asian American story.

VANCOUVER — A 44-year-old man whose face was left swollen and battered after being arrested in a case of mistaken identity did not resist arrest, Vancouver police said Friday — contradicting an earlier version of events offered by police.

Yaowei Wu is recovering after two plainclothes officers knocked on the wrong door during a domestic-assault call early Thursday.

Officers were called to the southeast Vancouver house at 2 a.m. after a woman called 911 to report that her drunken husband had struck her in the back of the head and she was concerned for her baby's safety.

The officers apparently didn't realize there were two suites in the home and the complainant was actually Wu's tenant, who lives in a ground-floor suite.

"The cops didn't ask clearly — not even ID me or anything — before they started beating me," Wu said through a translator to the Ming Pao newspaper.

"I think they have an attitude problem."

 Dec. 31 (by James S. Russell) -- I didn’t want to let the year close without reflecting on the new Museum of Chinese in America designed by Maya Lin.

The location, on Manhattan’s lively Centre Street, poignantly underlines the mutability of ethnic identity. It is steps from the bargain-hunting throngs on Canal Street, around the corner from what’s left of Little Italy, and smack in the path of SoHo’s encroaching slickness. It’s the perfect spot to consider what it is to be a hyphenated American.

The museum’s tinted-glass storefront, half-framed by a long horizontal L of wood, is a rather tentative invitation to a building with richly entwined stories to tell and tough questions to ask.

It’s too bad that Lin, famous for the Vietnam War Memorial in Washington, D.C., avoided the tough task of making a specific statement rather than a generalized one.

To the people who thought racism was a thing of the past and no longer exists in the 21st century.... you are dead wrong. Some of us probably live in the nicer places in the country with some good multicultural friends but the people in the next town/city may not be so friendly.

To all my other dearest Asian Brothers, Sisters, Families, Civil Rights Advocacy groups, Asian Activists in western countries. We know racism is very much alive and it comes in all shapes and forms in mainstream society.

While we continue to experience it's reoccurring unpleasantness and Deja Vu's, I am all convinced we are still living as second class citizens and are still sunjected to different forms of  racial oppression.

Ancient Taoist once believed the driving universal life principles are found in Yin and Yang, nature will seek neutrality and find balance between interchangeable opposing forces. Though my analogy might sound a little ancient in the philosophical works but you would eventually understand my point in our society at present.

Passing as an Asian - an article written by an asian adoptee raised by two Russian Jewish caucasian parents, sharing her experiences while growing up in self hatred but surprisingly finds an awakening that puts her back on the road, acknowledging her asian side and forever searching for the missing pieces.

Passing as an Asian Written by Maya Fleischmann (11 January 2009)

I spent the first fifteen years of my life trying to ignore the fact that I am Asian.  Ironic, considering I was born and raised on the small island of Hong Kong and its population of 6 million other Asians.

Ever felt a little uncomfortable or weird when you see these types of pictures circulating in Hollywood? it seems rather too frequent that these western  celebrities have sudden decided to show off their new Asian babies.

Although we could never quite put the finger on it but if you were suspicious enough then perhaps your instincts could be enough to show that you care. The answer is YES it;s likely something is 'fishy' going on.

There is a possibility that these kids should not have been placed in their hands to begin with.

From a westerners perspective they are starting the "Happy Family with the odd Asian baby trend" or the stereotypical " I-Know-whats-good-for -Asian-people". While they parade around showing of their Asian babies these celebrities could just as well be quite ignorant. Sure at a glance some would say 'Oh they look so nice together' but in reality these kids were probably possessed through adoption exploits and scandals.

Scholarly blogger deals with cultural fallacies, ethnic misconceptions.